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SOPRANO
- Saundra DeAthos
- MEZZO-SOPRANO
- Stephanie Rodousakis
- TENOR
- Michael Boley
- Harold Meers
- BARITONE
- Greg Frens
- Ryan Kinsella
- David Templeton
- BASS
- Bradley Smoak
- CONDUCTOR
- Louis Salemno
- Allan R. Scott
- STAGE DIRECTOR
- Alexander Gelman
DER FLIEGENDE HOLLÄNDER
“Ryan Kinsella sang superbly…with sonorous bass tones…and captured the traces of Italianate style in this duet.”
(THE WASHINGTON POST)
“Ryan Kinsella had an intense presence…”
(WASHINGTONPOST.COM / INTERNET)
“Baritone Ryan Kinsella presented the Dutchman’s monologue with…dramatic persistence…and he gave a wonderful stage presence.”
(ALLATSREVIEW4U.COM / INTERNET)
SIEGFRIED
“Ryan Kinsella (Wanderer/Wotan) impressed immediately. His dark baritone commanded attention with his very first notes, fully displaying Wotan’s hint of arrogance while also showing that the character was not yet aware of the folly ahead. Whether singing alone, or in dialogue with Erda, Siegfried, or Alberich, he displayed a gripping stage presence and dramatic personality. Kinsella is already a formidable artist on the way up.”
(WAGNER NOTES / WAGNER SOCIETY OF NEW YORK)
With the appearance of baritone Ryan Kinsella in a selection from Act III of "Siegfried" the audience was treated to a superb Wagnerian approach...”
(ALLARTSREVIEW4U.COM / INTERNET)
BELSHAZZAR’S FEAST
“… and there was a booming yet never insensitive performance of the baritone part from Ryan Kinsella.”
(THE WASHINGTON POST)
“Ryan Kinsella’s dramatic delivery and superb articulation projected mightily.”
(IONARTS / INTERNET)
ALCESTE
“Ryan Kinsella was effective as the oracle who decrees the substitution possible.”
(OPERA TODAY)
“Ryan Kinsella (Oracle and Infernal Deity) furnished a highly sonorous and dramatic cameo.”
(GAY CITY NEWS / NEW YORK, NY)
“Ryan Kinsella impressed…”
(Q-ON STAGE / QMETROPOLIS.COM)
TOSCA
“Ryan Kinsella’s Scarpia was also well played -- a real snake as the character demands. Dressed all in black (suit, shirt, tie), he looked appropriately Faustian. His dark baritone could be both commanding and seductive as called for. From Va Tosca of act 1 to his death at Tosca’s hand in act 2, his was a strong realization of music and drama.”
(THEALTERNATIVEPRESS.COM)
LITTLE WOMEN
“… and Ryan Kinsella as Professor Bhaer offered a lovely moment in the scene, reciting Goethe’s ‘Kennst du das Land?”
(STAR TRIBUNE)
LA BOHÉME
“Ryan Kinsella’s Marcello was enhanced by a strong stage presence, and he played well against (Musetta)...”
(ST. LOUIS POST-DISPATCH)
LA TRAVIATA
“Ryan Kinsella, a New York City Opera debut artist, stands out in the cast as an incredible performer, who will surely have a long career.”
(MANHATTAN COLLEGE QUADRANGLE)
