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SOPRANO
- Saundra DeAthos
- MEZZO-SOPRANO
- Stephanie Rodousakis
- TENOR
- Michael Boley
- Harold Meers
- BARITONE
- Greg Frens
- Ryan Kinsella
- David Templeton
- BASS
- Bradley Smoak
- CONDUCTOR
- Louis Salemno
- Allan R. Scott
- STAGE DIRECTOR
- Alexander Gelman
Maestro Allan R. Scott is one of North America’s most dynamic young figures in symphonic music and opera. He is widely recognized for his innovative approach to programming, dynamic vision, and ability to elicit top-notch performances from his players. As the subject of SYMPHONY Magazine’s article “Big Sounds, Big Dreams,” Maestro Scott was acknowledged for his “large orchestra view” noting, “under Scott’s leadership the quality of the orchestra’s playing has skyrocketed.”
Last season, Maestro Scott garnered significant critical and popular praise while making a sensational international debut with the Christchurch Symphony of New Zealand. With performances of Dvořák’s New World Symphony and Copland’s Appalachian Spring, the New Zealand National Radio offered effusive praise of the American conductor declaring, “Maestro Scott is as intoxicating as you could wish” and highlighted his “all-too-rare feeling of risk-taking spontaneity.”
Since 2003, Maestro Scott has served as Music Director of the Helena Symphony, an 80-member orchestra and 100-voice symphonic chorus. With the Helena Symphony, Maestro Scott has increased audiences over 400% and more than tripled the annual budget while developing a fine regional professional orchestra. Each summer with the Helena Symphony, Maestro Scott leads one of the nation’s largest summer performances with Symphony Under the Stars, attracting an audience of more than 15,000.
Dividing his time between residences in Helena and Philadelphia, Pennsylvania, the Philadelphia native begins his ninth season as Music Director of Pennsylvania’s Southeastern Pennsylvania Symphony. A regional professional orchestra located in Lansdale, Pennsylvania, the Southeastern Pennsylvania Symphony serves audiences in the Greater Philadelphia area and is now recognized among the finest regional professional orchestras in the Philadelphia area.
Acknowledged by the Main Line Times for “splendidly realizing the awesome spiritual power of the score,” Maestro Scott has become most closely associated with the works of Gustav Mahler. Completing a cycle of the composer’s symphonic works with the Helena Symphony, Maestro Scott’s critically praised performances culminate with Mahler’s colossal Eighth Symphony as the final installment in 2012. Maestro Scott is an exponent of diverse and creative programming, leading dozens of premiere performances, including the recent premiere of Robert Kapilow’s Summer Sun, Winter Moon, composed and performed as part of the national commemoration of the Lewis & Clark Bicentennial, featured subject of a 2009 PBS documentary.
Guest appearances for the Maestro Scott include assignments with orchestras and opera companies world-wide, including the Christchurch Symphony of New Zealand, Ogontz Music Festival Orchestra, Orchestra Society of Philadelphia, Pottstown Symphony Orchestra, Firelands Symphony Orchestra, Wilmington Ballet, Manhattan School of Music Orchestra, and the Pacific Institute Symphony & Chorus.
In previous seasons he also served as Music Director of Philadelphia’s Main Line Philomusica Orchestra & Chorus, Music Director of the Rocky Mountain Youth Orchestra and Artistic Director of Colorado’s New Artists Philharmonic, where he was awarded the lifetime post of Conductor Laureate.
Maestro Scott developed his artistry under the guidance of some of the most prolific conductors of our time including Seiji Ozawa and Charles Dutoit. He further refined his craft with Luis Biava, Zdenék Macal, Sir David Willcocks, and Jorge Mester at renowned institutions, among them the Tanglewood Music Center, California Conducting Institute, The Keene Music Festival, Ogontz Music Festival, and the Conducting Institute of South Carolina.
As the Independent Record attested, “Maestro Scott is on a mission to bring music to the people, and if his music is as infectious as he is, then it’s only a matter of time.”
